![]() That they have lived and struggled in their own right, beyond the cliche to which they might so easily have been condemned. The reader’s impression is certainly that these beautifully, humanely drawn portraits are of actual people with whom her path has crossed. She fixes him there in time along with the rest of them, although, tellingly, he’s the one she nearly forgets. And we mustn’t leave out her abortionist, who afterwards handed her a card for his funeral business. Present also are the people she knew, liked and loved in those places: parents, friends, old lovers who bitterly claim “only those women with money can violate the laws of probability”, the aforementioned Holiday with her “murderous dissipation” and “luminous self-destruction”, the neighbour for whom poverty “came like a bulldozer” and the incestuous bourgeoisie of intellectual Amsterdam – not to mention the stream of ill-fortuned maids. It is certainly the case that many of the places she personally knew – the Kentucky of childhood, the inherited house in Maine, the fraternity sofa on which she spent a “woeful night” and the scuzzy yet transformative delights of her beloved New York “with its graves next to its banks” – are all present and correct. That said, however, the novel still remains too formally and intellectually promiscuous to be consigned either to the cul-de-sac of “auto-fiction” or the imaginative straitjacket of memoir. In real life she spent time with Billie Holiday and, famously, did fall “out of the commonest of plurals” to become “no longer a we” when the poet Robert Lowell left her after 23 years of marriage. As a writer, she did hold a place at the centre of the literary world. She did move to New York and live in a mariage blanc with a young gay man. While published as a work of fiction, Sleepless Nights contains many verifiably autobiographical elements: Hardwick was born into a large family in Kentucky. This lack of interest in a rigid delineation of form also filters through into the book’s content. For the reader it is this encounter with a formidable mind working hard, mapping the journey from its root consciousness through myriad perceptions and recollections out into the physical world – where it may, or may not, allow itself to be changed by what it finds – which forms the spine of pleasure that holds the fragmented narrative together. The resultant restive narrative is a deep delve into the processes of her thinking as she sleeplessly rolls back and forth across ideas, memories and conclusions. This is a narrator who knows who she is and, pretty much, how she got to be that way. There is no confusion of selfhood or incoherence of purpose. ![]() Sleepless Nights – first published in 1979 when its author was 63, renowned and respected as one of the pre-eminent writers in her field – stands in polar opposition to this maternal model of the deserted self and, most particularly, of the deserted female self. Rather, in much the same way that she and her many siblings respond to their mother’s prodigious childbearing by offering up a singularly low birth rate of their own, she simply adopts a fundamentally different approach. Hardwick’s narrator – and fellow Elizabeth – doesn’t fault her mother for this dimly lit sense of self or lack of strongly asserted identity. It was as if she did not know who she was.” It’s an unsentimental, matter-of-fact kind of assessment of a life that, having failed to be the occasion of much self-examination in its possessor, is now dwindling unhindered into a soon-to-be-forgotten past. Within the first few pages of Elizabeth Hardwick’s Sleepless Nights the narrator writes of her fondly remembered, now long-deceased mother: “I never knew a person so indifferent to the past.
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1/1/2024 0 Comments Readwrite think poemsThe National Endowment for the Humanities EdSITEment: the Best of the Humanities on the Web The website for The Favorite Poem Project (a partnership among Boston University, the Poetry Society of America, and the Library of Congress with major funding from the National Endowment for the Arts and the Carnegie Corporation of New York) includes links for the project itself poetry lesson plans for elementary, middle, and high school students community events the favorite poem videos and books and an interactive link for submitting favorite poems. There are great Frost links and a section for educators providing poetry curricula, forums, teaching tips, and poem texts. ![]() ![]() The sponsor of National Poetry Month, The Academy of American Poets provides an extensive and searchable site on American poetry both historical and contemporary. General Poetry Teaching Sources on the Web “Robert Frost Prompts the Poet in You” (grades 6-12) “Choose Something Like a Star”(grades 9-12) “Robert Frost’s ‘Mending Wall’: A Marriage of Poetic Form and Content” (grades 9-12) “Poems that Tell a Story: Narrative and Persona in the Poetry of Robert Frost” (grades 6-8) “Socratic Seminar Format for Frost Poems” (grades 4-12) Using his poems to teach global warming, astronomy, botany, and just about everything else in middle school science class. “Robert Frost in the Petri Dish” by Karen Glenn Some original documents are available for on-line viewing. Modern American Poetry: Robert Frost (1874-1963)Ī collection of critical, historical, and biographical information at the Modern American Poetry site.Ī Frost Bouquet: Robert Frost, His Family, and the Clifton Waller Barrett Library of American Literature, University of Virginia.Ī collection of manuscripts from The Robert Frost Collection assembled by Clifton Waller Barrett now at the University of Virginia. Amongst George’s originals, Cheek to Cheek (written with Van Dyke Parks) is a delightfully playful twist of Latino country and Twenty Million Things is one of the most tenderly sweet love ballads you could ever hope to hear. There’s a handful of gorgeous covers, including his then-lover Rickie Lee Jones’s jazzy Easy Money and an outrageously slinky version of Ann Peebles I Can’t Stand the Rain. George really indulges all his musical obsessions on Thanks I’ll Eat It Here, a masterpiece of bohemian soul and RnB. Little Feat in their 1970s prime had a reputation to rival The Band as purveyors of a funky, soulful Americana of virtuoso musical skill. The guitarist and singer from Little Feat has become a rather forgotten figure, perhaps because he only made one solo album before his death from a heroin overdose in 1979, aged 34. Oddly, this album was treated as a gimmick at the time, when what you’ve got is an all-time great pioneer playing loose, funky blues with some of the greatest rockers in the world. But whenever the supergroup kicked into gear, the mood would change. Aged 60, the Wolf was in ill health, drinking heavily, and was surly and uncommunicative. But because the Stones were otherwise engaged on the first day of recording, Ringo Starr stepped in with Beatles’ associate Klaus Voormann on bass, cutting a funky version of Willie Dixon’s I Ain’t Superstitious.Īt various points John Lennon, David Bowie, Keith Richards and Mick Jagger dropped by. Chester Burnett, aka The Wolf, arrived in London in May 1970 for a week-long super-session led by guitar hero Eric Clapton and the Rolling Stones rhythm section of bassist Bill Wyman, drummer Charlie Watts and piano sideman Ian Stewart. ![]() When you first learn that this album even exists, it seems an impossibility: legendary blues veteran Howlin’ Wolf in the studio with members of Cream, The Rolling Stones and the Beatles. Title track Diamond Day was used in a TV advert for T-Mobile 17 years ago, at a time when mobile phone ads were all about whimsy. Bunyan quit music, only to return for two more albums in 20. ![]() These songs, again like Drake’s, were produced by Joe Boyd and featured string arrangements by Robert Kirby. The delicate songs on Just Another Diamond Day came about a few years later when Bunyan travelled to the Hebrides by horse and cart with a boyfriend to join a commune planned by musician Donovan, as you do. Back home, she was introduced to the Rolling Stones’ manager Andrew Loog Oldham and her first single, in 1965, was penned by Mick Jagger and Keith Richards (and featured Jimmy Page on guitar). ![]() Born in South Tyneside in 1945, the teenage Bunyan travelled to New York and discovered Bob Dylan. But, like Drake, she sang fragile folk music and sold precious few albums on their release. Calling British singer Vashti Bunyan “the female Nick Drake” does a disservice to her unique sound. 1/1/2024 0 Comments 225014px cartier calibre diver![]() This results in wristwatches that are very legible and recognizable. Their designs typically feature dials with bold and black painted Roman numerals which contrast well against white or silver backgrounds. Below, our experts elaborate on the signature Cartier design details to look for 1. How To Spot A Fake Cartier Watch?Ĭartier design qualities should be known, understood, and looked for when you are in the pursuit of one of their watches for yourself. In this article, our experts share their knowledge on how to spot a fake Cartier watch from distinct stampings and details to fake screw backing marks and more. This covetable brand is often counterfeited in attempts to emulate the brand's designs for less. With great design, often comes an equally great and steep price. They recognize themselves as having a 'culture of design' that is purposely devoted to producing watches with precise shapes, pure lines, perfect proportions and precious details. The brand places great importance on all attributes that are visible. This is the most athletic-looking among the four Calibre watches and also the most commanding model in terms of appearance and design.Modern Cartier wristwatches have consistent qualities and design characteristics that make them distinct and desired. It holds its own among the sea of dive watches, with its ISO 6425 compliance, a striking luminescent dial and a water resistance rating of up to 300 meters. In 2013, they released their first proper diving watch – the Calibre de Cartier Diver. To add, the brand decided to place the minute track with five-minute increments on the bezel in order for it to act as a tachymeter.Ĭartier wanted to be taken more seriously in the sports watch segment. There are also two pushers on the right side for the chronograph function, which both technically act as guards to the crown. Instead of bearing a single sub-dial, the Cartier Calibre Chronograph has two on both sides, along with an expanded date window above the 6 o’clock mark. It still bears design cues similar to its direct predecessor, with few subtle differences in the dial. In 2012, Cartier equipped the Calibre with a chronograph complication. A year later, Cartier released a new wave of Calibre models bearing metal bracelets and various dial color schemes. Secured with cushioned leather straps in various neutral colors, Cartier Calibre watches are all 42mm in size and are made of either stainless steel or pink gold. ![]() There are also railroad patterns on the outer rim for an added vintage touch. Readable and neat, their dials consist of sword-shaped hands, Roman numeral and baton indices, a running seconds sub-dial at 6 o’clock, and a vertical date window at 3 o’clock. It possesses all the qualities one will ever need in an elegant sports watch: a large and solid case, curved lugs that sit comfortably on the wrist and an extremely legible dial.Įven with its considerable presence, the Calibre was instantly recognizable on the wrist as a Cartier. They kicked things off with the Calibre de Cartier, the one that set the standard for all succeeding Calibre watches. For its audience to enjoy their in-house movements, Cartier introduced the Calibre, its first widely produced sports watch featuring a Cartier-made movement. It was a proud declaration of the brand’s readiness to create their own movements.Īs a complicated Geneva Seal watch, the Flying Tourbillon belonged to the haute horology category and carried a prohibitive price tag. These watches were the first to feature a Cartier manufacture movement and even earned the Geneva Seal, a prestigious mark of excellence for Swiss-made timepieces. That changed with the introduction of the Ballon Bleu Flying Tourbillon in 2008 and the Calibre de Cartier Flying Tourbillon in 2010. While Cartier has long been a master of creating timeless designs, one constant point of criticism was its dependence on base movements from other companies. Here’s a retrospective on the game-changing Cartier Calibre collection.Ĭartier Calibre and Ballon Bleu Flying Tourbillon (photo: Sotheby’s) By introducing the brand’s first serially produced in-house movement with an undeniably masculine design, the Calibre put Cartier alongside Rolex, Omega, and IWC in creating hard-wearing watches. The Cartier Calibre is one of the shining masterpieces from this segment. In the 2010s, the Maison sought to prove itself more than just a pretty face with robust and functional sports watches. From the iconic Tank to the sophisticated Rotonde, Cartier has come up with a long list of elegant designs that set the standard for fine watchmaking. 1/1/2024 0 Comments Dark life quotes deepLet Meister Eckhart after darkness quotes echo forever in our hearts “ Truly, it is in the darkness that one finds the light, so when we are in sorrow, then this light is nearest of all of us.” Result? The problem keeps changing its face and flavors over time but our lives never for once are problem-free. Since ancient times, wisdom saints have symbolically discussed light as the potent source to remove everything unholy and wrong.īut, we are hell-bent on showing our back to all that is good inside us that makes us human we instead choose to live in shallow relationships and daily emotional dramas and value money, fame, and gloss over love, freedom, and joy. ![]() If you ask the Upanishads, Buddha, Zen, and Tao, they will all say the inner light is always there waiting to be radiated and is the source of everything. That inner light is one’s own innate ability to understand, realize falseness, and respect the eternal yearning for peace and freedom. Darkness appears to be there since light is nowhere to be found in our lives.Įverything dark happening in the world has been inflicted by a human being whose mind is devoid of inner light. It is our minds that experience sadness and depression. ![]() Let these wisdom-filled and positive darkness quotes remind us that life is beautiful you and I are worthy of living the best possible life no matter what the world has to offer.ĭarkness doesn’t exist in reality except in our minds. This post contains affiliate links, and I will be compensated if you purchase through one of my links. |
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